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Jaamil Olawale Kosoko (they/he), a multi-spirited Nigerian American author, performance artist, and curator of Yoruba and Natchez descent, is originally from Detroit, MI. In Fall 2020, they were appointed the 3rd annual Alma Hawkins Visiting Chair in the Department of World Arts and Cultures/Dance at UCLA. Additionally, they are a 2020 Pew Fellow in the Arts, 2019 NYSCA/NYFA Artist Fellow in Choreography, 2019 NPN Development Fund Awardee, 2019-21 Movement Research Artist in Residence, 2018-20 Live Feed Artist at New York Live Arts, 2017-19 Princeton Arts Fellow, 2019 Red Bull Writing Fellow, 2018 NEFA NDP Production Grant recipient, 2017 MAP Fund recipient, and 2017 Cave Canem Poetry Fellow. Their creative practice draws from Black study and queer theories of the body, weaving together visual performance, lecture, ritual, and spiritual practice. Their recent media work Chameleon (The Living Installments) premiered virtually in April 2020 at EMPAC/Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute. Previous works: Séancers (2017) and the Bessie nominated #negrophobia (2015), have toured internationally, appearing in major festivals including: Tanz im August (Berlin), Moving in November (Finland), Within Practice (Sweden),TakeMeSomewhere (UK), Brighton Festival (UK), Oslo Teaterfestival (Norway), and Zürich MOVES! (Switzerland), among others. Season 1 of their interview-based podcast, American Chameleon, can be found on all podcast platforms.

Kosoko is the author of two chapbooks: Animal in Cyberspace and Notes on An Urban Killfloor. Their poems and essays have been included in The American Poetry Review, The Dunes Review, and The Broad Street Review, among others. They lecture regularly at Princeton University, Stockholm University of the Arts and Exerce Masters ICI-CCN in Montpellier, France. Learn more at or on IG @jaamil_means_beauty.